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I am an experienced, skilled and approachable editor and proofreader who loves working with fiction authors to prepare their writing for self-publication or to submit to a traditional publisher.
I strive to ensure an excellent working relationship with each client and am proud to have a high level of repeat business from satisfied customers. I always go the extra mile to get your book as good as it possibly can be within the budget you have available. To find out how I can help you, please contact me by phone, email or via the form on my website.
Substantive/developmental fiction editing, line editing, copy-editing, proofreading, rewriting, on-screen editing, website editing, editing non-native English
Books, company literature, newsletters, websites
BA English Language and Literature, MA Librarianship and Information Science, Professional Member of the SfEP
On-screen editing (SfEP) 2014, Mentoring scheme (SfEP) 2014, Proofreading problems (SfEP) 2012, Basic proofreading by distance learning – merit (Publishing Training Centre) 2012
Fiction (novels, memoirs, autobiography), humanities (history, geography, religious studies, philosophy, politics, psychology, political science, sociology), business (reports, websites, newsletters)
Helen has now edited and proofread eleven of my books, with the twelfth on the way very soon – she deserves a medal!
I write sci-fi and thrillers, and as a self-published author I have a fast turnaround, usually launching three books in a year. Helen is always able to accommodate this rate of production and does an excellent and thorough job on the edits every time.
It’s particularly important to me to feel supported in my work – not criticised – and I have found that Helen's feedback is always positive, well-targeted and respectful of the creative process. I have found her guidance and advice to be helpful, informative and educational.
I particularly like the creation of style guides as the project progress and the very useful alternative suggestions that I receive in my manuscripts - sometimes you just need that bit of help with a better way of phrasing things or an alternative word to use.
Having worked on so many books together, I really value Helen's contribution to my writing projects – we've worked through over half a million words together now.
So, if you need a great partner to work with you on your next book, I have no hesitation in recommending Helen.
Paul Teague, Sci-Fi & Thriller writer at https://paulteague.net/
I cannot recommend Helen highly enough. She has edited three of my books and has been a delight to work with. Helen is friendly and professional, with a strong, collaborative style. She is very supportive and never critical, but she does not shy away from providing effective challenge and guidance where it is needed. Helen has met every deadline and has always encouraged a healthy dialogue throughout the editorial process. The quality of her work is excellent and my writing has improved as a result of working with her. I can write a good story, Helen turns them into great books.
Rob Ashman, author of The Mechanic trilogy https://www.bloodhoundbooks.com/authors-1/2018/10/9/rob-ashman
How do you choose the best editor for your work when there are hundreds of highly skilled and experienced ones to choose from? How do you know who will genuinely edit your work with integrity and not regard it as yet another mundane work task? And who can you work with confidentially with ease and mutual trust without fear of criticism and judgment?
I was in a predicament as these questions evolved part way through writing my debut book. Despite having never worked with an editor before something was telling me I needed one.
I stumbled across the Society for Editors and Proofreaders. I randomly wrote to many editors across the UK all with impressive CVs seemingly capable of editing a vast range of subjects. From those that took the time to reply, only one stood out and that was Helen Fazal. Unlike all the others, Helen’s response included the word ‘enjoy’. Helen would actually ‘enjoy’ editing my work. She was an obvious first choice.
Helen went on to edit my book. Throughout this 18-month period Helen demonstrated an impeccable work ethic. She works diligently and consistently, which enables her to meet deadlines whilst remaining calm and thoughtful. It was a collaborative partnership each respecting the other’s role and contributions. This was important to me as all too often power can interplay as one tries to dominate the other.
Not only did she show a skilled technical ability but also a deep intuitive way of understanding of what goes beyond the immediate and obvious. This would not be possible without being well read herself and open to the unconventional. Her skilled editing capability was reflected in her sensitive and conscientious improvements to the narrative (initially mine was particularly messy and rambling). My work was never undermined but transformed into text which was leaner, tighter and above all else true to the essence of what I wanted to create.
There were times I became vulnerable and exhausted by the nature of my subject matter. Helen was able to respond by gentle decisive intervention, which enabled me to carry on. For this I will always be grateful.I doubt I would have completed nor published my book without the support given by Helen!
The book immediately went on to be published without the need for an agent.
Mary Anne Willow, author of The Grace of a Nightingale
Helen has a happy knack of making you feel instantly at ease. So, when it comes to sending over your precious manuscript, or an initial sample, you’re calm and relaxed about it. When the manuscript/sample comes back, well, that’s when you realise just how good Helen is at what she does. She’s a professional, and now you are filled with newfound enthusiasm as you realise your work is about to be improved. She’ll file down the jaggedy bits, smooth off the rough edges and give it an all-over polish. Your manuscript will be left shiny and new and quite possibly as good as it can be.
And so, may I humbly suggest, that if you’ve gotten far enough to be reading this, then your search is over – Helen is the one ...
Dave Alty, author of The Universe's Guide to a Perfect Life
Helen's friendly approach and professionalism in her proofreading and editing services made it a pleasure to work with her from the start. She provided helpful communication, comments and advice, kept on schedule, and most of all I was delighted with her work. She polished my text and improved its form beautifully without changing my style, even respecting the little plays I would have between languages – my mother tongue is French. I very much recommend her.
Virginie Bonfils Bedos, author of Gatekeepers
Helen has edited and proofread my first book, a romantic novel. My mother tongue is French and I wanted the manuscript to be in perfect English.
Helen’s approach is professional, thorough and friendly, and working with her has been an enjoyable and educational experience. She was reassuring and encouraging. She has become my mentor!
I very much recommend Helen. I am so pleased with the outcome and I think I am lucky to have found someone like her.
Dominique Douglas, author of The Man Who Played The Piano
Helen has now copy-edited five novels for us. Be it making suggestions, raising queries, or just dealing with ‘the boring bits’, her work shows imagination and understanding, while exercising painstaking care: all in equal measure – exactly what all authors need to ensure their writing reads as well as (and sometimes better than) they intended.
Tim Short, Bookprint Creative Services
I approached Helen in early 2018 about proofreading a near-final draft of my 105,000-word novel. From that initial enquiry onwards, Helen’s professionalism was obvious and exemplary. She responded promptly and, on the basis of some sample chapters she asked me to share with her, she explained clearly how she thought she could help.
What impressed me most was how Helen adapted her approach to the nature and demands of the project. Much more than a spell-checker, she worked through the manuscript with a fine discerning literary toothcomb, highlighting not only errors, transgressions and inconsistencies (kerb vs. curb!), but also stylistic points where the text might read better. She did all of this with great sensitivity to the overall tone of the novel, and I consider the exercise an investment rather than an overhead.
In short, I felt Helen cared about getting the words right. If this is also what you care about, I strongly recommend getting in contact with Helen.
M. J. Kentish, author of The Loss of Never Was
Helen did a terrific job of editing my memoir. She was thorough, came up with some excellent suggestions to improve the text, and was always contactable.
Greg Watts, author of Waiting for the Night Bus
Helen’s professional, open-minded and friendly attitude is a great help to me. I am a non-native English self-publishing author, which means I need trustworthy editing to give the best flow to my translated short stories in English. I am very satisfied with Helen’s work and I enjoy cooperating with her on a monthly basis. She is precise and has a sharp eye for mistakes. She is able to feel the style of the text, embraces even the most difficult sentence or strange metaphor and nicely polishes it by choosing the perfect word alternative. She is always flexible and gives fast and profound replies to any kind of questions. She never regrets spending as much time as needed to reach the best possible result in the editing process, while reliably keeping up with the agreed deadlines. Besides editing and proofreading, she offers the preparation of marketing materials on request, too. I personally like her voice in the summaries she writes for me, because she always highlights just the right essence of the story. Owing to Helen’s supportive approach, my knowledge of English language continuously improves. I highly recommend her services to anyone who wishes to receive high-quality work for a reasonable price.
Sofia Hamori, author of There's No Time
It was a pleasure working with Helen. We agreed a timeline up front and she stuck to that although asked for a little more time at the end to reflect on her work and see whether she had more to add or suggest. In addition to straightforward amendments incorporated in the document as Tracked Changes, she provided ‘bigger’ suggestions for strengthening or changing the flow or content to improve the quality of the work. In each of these cases, Helen made suggestions, often providing options for how that section might be reworded or adapted to get the message over with more power. As a result, I found improving the manuscript based on her comments very straightforward and enjoyable. Helen also took the time to read the manuscript end to end a couple of times to get a really clear picture of how the first three chapters (the ones she was editing) fitted into the overall storyline.
Toby Strauss, author of Castles in the Air