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Written mainly by senior members of the Society for Editors and Proofreaders, this growing series of practical booklets focuses on copy-editing, proofreading and related fields and on how to make a living from them.
The SfEP guides are intended for copy-editors and proofreaders, both practising and potential, and for others involved in publishing content in some way, including those working for companies and government agencies and departments.
- Editing into Plain Language
- Editor and Client
- Getting Started in Fiction Editing
- Going Solo
- Marketing Yourself
- Pricing a Project
- Proofreading Theses and Dissertations
- Your House Style
The guides are well written with common sense and offer invaluable advice.Annie Deakins, proofreader
Editing into Plain Language: Working for non-publishers
With increasing demands for clearer communication in both the public and the private sector, plain-language editing has much to offer non-publishers. Looking at key aspects of working as a freelance editor in this market, this guide will help:
- editors to command good rates of pay and have the satisfaction of clarifying information intended for the general public
- organisations to improve the clarity of their texts (both printed and electronic), and so increase their own efficiency and effectiveness
- the public and other readers of such readable and more understandable texts to have more knowledge and power.
Editor and Client: Building a professional relationship, Revised 2nd edition
We all know that a 'professional' does it for money, but what a professional is and does goes much further than that. A true professional demonstrates skill and competence and is adept at building business relationships with clients that bring mutual benefits based on trust and respect.
Using case studies drawn from the experience of many editors, this concise guide aims to help freelances understand the needs of their clients, and to give clients a clear awareness of freelances' requirements to do a good professional job. The HMRC's employment guidelines are also examined, as client and freelance should be aware of common practices that may put at risk the freelance's self-employed status.
Getting Started in Fiction Editing
Fiction editing is an increasingly popular field, but one that can be daunting to a new editor or even an experienced editor who has only ever worked on non‑fiction. This guide is aimed at copy-editors, whatever their experience, who want to know more about the nuts and bolts of fiction editing. It will also be useful to those who proofread fiction, to help understand what the editor should have considered.
The guide explains how to work with both publishers and independent authors and examines how their needs might differ. It also explores the various types of editing that a fiction manuscript might need, as well as what editors need to be aware of, such as continuity, the importance of style sheets and the risks of over-correction. The guide concludes with a list of resources for further reading and a glossary of fiction terms.
Going Solo: Creating your freelance editorial business
REVISED 1ST EDITION 2018
Making the decision to go solo as a freelance proofreader or copy-editor is a big career step. This guide covers:
- business basics – writing a business plan and starting to think about all the elements of your new business
- knowledge – what you need to know about keeping up to date on editorial work and where to find out more
- money – statutory requirements for income tax and national insurance, plus budgeting, record-keeping and invoicing
- clients – where to find them, how to handle them
- you – looking after yourself, managing your time and preparing for disaster recovery
- resources – a wide range of resources for the new freelance proofreader and copy-editor.
Readers are guided through the decisions the new business owner has to make, the things they should be aware of and sources of support for their exciting new venture.
Going Solo is very good, and I'd strongly recommend it to anyone thinking of setting up as a freelancer. It covers all the essential things with impressive clarity, but without going into information overload, it's got a great resources section, and it manages to balance positivity with sensible realism.Stephen Pigney, editor and proofreader
Marketing Yourself: Strategies to promote your editorial business, 3rd edition
REVISED 3rd EDITION 2018
Marketing Yourself (formerly Developing a Marketing Strategy) covers various strategies for promoting an editorial business, including the importance of a professional business image. It stresses that editors need to be looking ahead all the time and seeking new avenues of work on a regular basis – not just waiting until there is no work to do.
There is advice on ways to market yourself – whether you're just starting out or have some experience and are looking to gain new clients. The guide points you in the right direction, and it will inspire and encourage you to get out there and promote yourself and your editorial business.
Pricing a Project: How to prepare a professional quotation, 2nd edition
REVISED 2nd EDITION 2018
Freelance editorial work is a professional service and no two projects are the same. Pricing up a project involves four main elements:
- understanding what the particular job involves
- knowing your own pace of work
- knowing what can go wrong
- knowing the market rate for the work.
Pricing a Project describes the quotation process, from taking a brief to agreeing terms and conditions. This practical guide comprises tips, checklists and worked examples to assist not only freelances but also clients who seek the services of editorial professionals.
When I was first starting out I purchased the SfEP guide to Pricing a Project. It was so packed full of information and advice that it gave me the confidence I needed when handling those first few quotes.Sarah Dronfield, proofreader
Proofreading Theses and Dissertations
NEW GUIDE 2018
Proofreading Theses and Dissertations introduces some of the basic principles of proofreading academic texts. In many respects, the work required is the same as for any other proofread – you check for errors in spelling, punctuation, grammar and consistency – but it is complicated by the fact that the thesis or dissertation must be the student's own work.
The guide explores the nature of this type of proofreading as well as the practicalities of how to get work, calculating fees and negotiating with students. It then deals with potentially thorny ethical issues such as what to do with possible plagiarism and how much to query, intervene in or change the student's writing.
Your House Style: Styling your words for maximum impact, 2nd edition
A badly presented document, publication or website loses credibility quickly when the reader is distracted by inconsistent spelling and usage and badly presented figures and measurements. The cure? A well-thought-out editorial house style to guide everyone who works on a document, publication or website. This guide outlines the value of a house style and reveals how to go about constructing such guidance if you don't already have it. It will alert you to the many ways in which content, whether printed or online, can disappoint, simply through inconsistent usage or presentation. Working through this will help you identify weaknesses in your written content and enable you to devise a style guide that can be used by everyone concerned to iron them out.